佩吉·道 Peggy Dow

This promising 1950s Universal-International contract player had so much going for her -- beauty, brains and talent -- to go the distance, but she came up far short after deciding to retire for domestic life. Not remembered all that well today, pretty and wholesome blonde Peggy Dow was born Margaret Josephine Varnadow on March 18, 1928, in Columbia, Mississippi. Her father, a businessman, moved about quite a bit but the family subsequently set...(展开全部) This promising 1950s Universal-International contract player had so much going for her -- beauty, brains and talent -- to go the distance, but she came up far short after deciding to retire for domestic life. Not remembered all that well today, pretty and wholesome blonde Peggy Dow was born Margaret Josephine Varnadow on March 18, 1928, in Columbia, Mississippi. Her father, a businessman, moved about quite a bit but the family subsequently settled in Louisiana, where she attended college (both Louisiana State and Northwestern State University), majoring in drama and appearing in several college plays.

After brief modeling and radio experience, she was spotted by a talent agent and cast in a TV show in February 1949. Shortly after that exposure, Universal offered her a seven-year contract. Bypassing the starlet bit-part route, she made an auspicious film debut co-starring with Scott Brady in the thriller Undertow (1949), in which she played a vacationing schoolteacher who accidentally gets involved in a murder. Her second film (which she actually made first but was released later), Woman in Hiding (1950), was also a crime thriller, co-starring Ida Lupino and Stephen McNally. Showing clearly that she was up to the task of playing love interests with depth and range, Peggy's star began to ascend with these two modest efforts. She hit her peak when she co-starred as the lovely nurse in the classic James Stewart farce Harvey (1950) and appeared opposite Arthur Kennedy in the touching war drama Bright Victory (1951), the story of a soldier who is blinded and must learn to readjust to civilian life. These two different roles showed Hollywood that Peggy could handl